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Marge Simon and Malcolm Deeley, 2009, The City of a Thousand Gods, Sam's Dot publishing, www.samsdotpublishing.com, $14.95, ISBN 978-1-935590-28-6, perfect bound paperback.

This book is like a deck of cards, if each card has an original painting on one side and a flash story on the other. This book was written around the idea of a city in which almost every faith is given a place. The idea is reminiscent of Fritz Leiber's street of the gods in Lankhmar, although Simon and Deeley 's City is nowhere near as gritty. Also, the street of the gods was created to illustrate the foibles of religion. "The city of a thousand gods" celebrates diversity. Colored watercolor and colored-pencil cover illustration and interior illustrations. These are evocative and appealing.

"The City of a Thousand Gods" focuses on the many different gods and religions the authors have imagined for it. It is not an encyclopedia, because each entry is a story, now that I think about it, that would be a wonderful kind of encyclopedia. I will admit right up front, the book does not cover all 1000 gods that are worshiped in the city. It does cover a good 29 of them. Perhaps there will be a sequel.

One remarkable thing about the book is the cover. Sam's Dot is notorious for less-than-thrilling covers. This book is an exception. Not only do I like the cover, which stands out as one of the best I've seen from Marge Simon, but I enjoyed nearly all the stories. Quite often in a book of this sort, where a certain minimum number of stories is needed, some stories are right on the mark, but others are as flat as pancakes. Not here. The authors stopped at 29 stories because they felt they were done.

Simon and Deeley have come up with some very engaging concepts. Priests of "The Sixfold Visage" spend their time learning about other faiths, which is how they practice their own. Reminds me of Unitarians. "The Dysur" believe that they can develop their mental powers to travel to other worlds. The Body of Family believe that the path to heaven requires one's body be made into a sacred brick, whereas followers of the Path of Light believe one's body must be scattered to the wind I thought Romeo and Juliet had it bad! Many of the faiths will remind the reader of some that we know exist or have existed in our world. The sacred prostitutes, the man-only and woman-only cults, and so on. But isn't this inevitable? Over the past half-dozen millennia for which we have at least a minimal records humanity has experimented with almost any kind of religion that could possibly be imagined. One might think of "The city of a thousand gods" as a compassionate review of these possibilities.

If the book strikes any false notes, it is that some of the stories seem to be a little too detached. Relatively passionless summaries are starkly contrasted with emotion-charged personal tales. The latter, which I prefer, outnumber and outweigh the former.

I am a sucker for books that explore alternatives. "The city of a thousand gods" does so very well.
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Bergmann, F. J., and Hoppmann, Kelli, 2012, Out of the Black Forest, Centennial Press, 44 p., full color pdf $5; print $8, ISBN 978-0-97994-2-6, 0-9797994-2-2. I reviewed the pdf.

This is a stunning book. I am a real fan of Hoppmann's art, and there are 18 paintings here: one for each poem, as well as front and back covers. These paintings are a perfect complement to Bergmann's creepy poems. Out of the Black Forest is a grim collection of fairy tales re-imagined as poems. As with older versions of the classic tales, these are suffused with betrayal, abuse, dreams fulfilled ironically if at all, and, of course, death. Bergmann has turned an original eye on swans that are sometimes people, kings who don't want to relinquish control of their daughters, girls and women struggling to deal with abusive situations, and more. I think all the tales will be familiar, though few appear in familiar forms. This is, of course, the most fun way to re-read stories we first encountered when we were young.

Little Red Riding Hood is pretty much a cipher in the popular version of the tale. She carries the cookies, or whatever, from point A to point B. But all the action happens between the two predators and grandma. After the words “the end” the woodsman may be interested in a reward from LRR, but all of that happens off camera. But is this the true original and complete story? What you'll find in Out of the Black Forest may not be original or complete, but it may be more true.

From “Teeth”

The heavy osier basket
was covered with a clean linen
napkin she had spent all winter
embroidering with snowflakes.
When it grew dark, she lifted
the napkin. There was no bread.

Bergmann's protagonists, mostly women, are not in control of events. Most medieval women (actually, most medieval people) weren't. Whoever was right there where the mundane and the ultra-mundane intersected was up against it. All too often she was completely alone.

From “Sting”

when her father chose
the warlord she hated, it was time:
for the jar of darker honey gathered
from poppy, hellebore, wolfsbane;
...for the word aestivate.

Sometimes the motivations get confused in the retelling of those old stories. It may be deliberate or it may be because storytellers really didn't understand. Maybe 100 years isn't long enough.

A lot of fairytales seem truly horrible to modern sensibilities. How much worse would it be if the telling wasn't so ritualized? Did I say this book was fun? I did, didn't I. You need this book, even if your interest in fairytales is nil. Surely you think you know some of the stories.

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